Chris Pinter, whose painting process drifts into sculpture and bookmaking, shares an intimate look into his studio practice by presenting an installation of works on linen, paper and canvas. Utilizing a mixture of abstract, linguistic, and representational languages, Pinter creates expressively tactile imagery that spin a psychological narrative around the boundaries of these media.This body of work reflects time, ordering and cataloging, starts and stops, lingering reflection. The paintings hint at the sequential phases of the making process as if they are pages pulled from the studio.